In Ruins & Rising

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The heart is a safe place to live,
remember that
when you have forgotten.
That is the only miracle
you must always remember.

You walk in the front door and barely a breath passes
before you find yourself out the back door,
arrow-straight pathway
to the sea,
diving head first
into the secret lives of mermaids
and a million tiny miracles,
the kind made of
saltwater dreams,
jungle birdsongs
and roadside shrines
to Our Lady of Guadalupe,
for those times
when you fall on your knees
in gratitude
or for those times
when you have nothing
but a fucking prayer
for the all-embracing mother
whose starlit gown
and crescent moon chariot
carry stories told
for thousands of years,
long before she came here.
And if you want to listen
you can hear
the sounds of night falling
and the electric kiss
of silent lightning
piercing dark skies,
holding a space vast enough
for meteors
to dance in the sultry air,
enveloping you like the languid body
of a tired lover
whose crystal waters lap sweetly
on your white shores,
untouched, mostly,
vines bursting with
purple blossoms
crawling across
seashell mountains
and seaweed rotting
in the beating sun.

And the driving down dusty roads,
lined with green,
thick and tangled,
past children playing, barefoot,
past tiny wooden crosses
on every doorway
and ladders to nowhere,
past abandoned buildings,
sweet old dogs, and roaming chickens,
the king of iguanas
guarding a shack
with ceviche from heaven,
while a little girl waves
in front of crumbling walls,
whose fading colors
bloom behind her.
Maybe these makeshift shrines
to the virgin mother
tell you that this
is all you need,
because of how beautiful
they are-
their clusters of candles,
sometimes lit,
their wilting flowers
and neon lights
flashing against the darkness.

And the song-filled bike ride
to the pyramids,
who touch the place
where the sky is born,
where you explore
the chambers of the ancients,
still slumbering in stone.
You are content
to only climb mid-way,
because your body goes weak,
heart racing fear of heights-
no sacrifice today.
So you sit on the ruins
communing with Ixchel,
moon goddess of becoming,
of rain, of healing,
weaver of fertile prayers,
medicine woman
alive in every phase of her creation.

An iridescent blue butterfly
comes to you to say:
you are not imagining things,
yes, this is really happening.
And at the foot of another temple
you walk through
a passage of initiation,
chasing the light,
cherishing every step
because you know what happens here:
You are never the same,
reborn on the other side.

Then there’s the part
where you just have to laugh
at comparing the wet, thick air
to a a lover,
because it soon
turns into an enemy
urging you to keep seeking
these prehistoric sinkholes
to wash the perpetual sweat
from your skin,
finding pure delight in the jump,
free-fall
into unimaginable beauty,
the kind that turns you
into a creature,
who howls and sings
the sounds that come
from a timeless space,
but somehow it also
rattles your memory
and brings out the best
90’s pop tunes,
because when delirium sets in,
Mariah Carey goes perfectly
with the ancient Mayans
“it’s just a sweet,
sweet fantasy baby”
swimming in these
underwater cities,
labyrinths of
subterranean rivers,
burial grounds
and portals to the underworld,
where as you float, you decide
that you too will bury
your dead here,
all your bullshit
and your beloveds
you can no longer carry-
these unreal spaces
make you drop it all.
For a moment
there are no humans left,
just you and the ghosts
and the wild things,
and you are not afraid.

So you move gracefully
through the dark
in embryonic caves
filled with turquoise waters
whose depths you will never know,
and you decide
you will never lie to yourself again
about some things,
(about those things
you will never know,)
because at some point
you understand
that what is seen
cannot be unseen
and what is felt
cannot be unfelt,
and what is known
will never again be unknown,
but still, you will always prefer
the way it feels
to merge with the mystery
to find beauty there,
and truth,
in all that lies beneath,
floating softly
in womb-like waters
of the mother.

Because mystery is the first love
of water nymphs and mermaids,
so you descend into another cave,
found at the end
of another dusty road,
where stalactites loom above you
and water drips onto your head
as you swim towards the center,
finding comfort beneath a single hole
in the ceiling
through which sunlight shines,
the golden thread
to the world above.
You can’t stop smiling,
feeling your human hands clinging
to the edge of the earth,
little feet kicking
to stay afloat,
then the sweetness of letting go,
because this is all one big letting go,
joyfully plunging below the surface,
surrendering
to the depths of the unknown
in the caves of your inner being.

Then there is that other
hidden cenote
surely favored by las brujas,
where the water is more emerald
than turquoise,
surrounded by mangroves,
where some force
calls you further and further in,
to where it is cold,
to where the roots reach out
like gnarled hands
you don’t want to hold,
but are curious
about touching anyway,
because when you go quiet
you can hear the spirits of the dead whispering:
“you can hold on to nothing here.
Just absorb it into your body,
so when you die,
and they bury you,
the earth can sing your life
through what grows
from your bones.”

And so all of this
you must release:
the flesh scraped by dead coral,
bruised by rocks,
sliced by shells,
stung by salt,
bitten by strange insects,
turned blistery
by jellyfish larvae,
hair woven into knots by the sea,
ears heavy with water
and siren songs,
finger pinched to hell
by a kind-looking hermit crab,
stomach aching
from dancing in the kitchen
after eating too much papaya,
coconut, dragonfruit,
mango, rambutan,
tamarindo, and tequila,
or maybe it’s overdosing on queso fresco,
or choking on the ocean from laughing too hard
about falling out of the kayak one too many times-
but these are the blessings of the journey,
slippery paths
and countless oases
to remind you of your aliveness,
friends alongside,
soothing the aches.
This saying goodbye,
to the the sand between your toes
the way your heart
will always fill
and empty again
with the tides,
where you will laugh
your way to divinity,
uncontrollable hilarity,
joy, deep sorrow,
and then an even deeper stillness.
Yes, this is all one big letting go.
We will have to give everything up,
jump from the scary heights,
and listen
to the one
who told you at the cliffside ruins,
“Fly your imagination!”

And you imagine that somewhere Ixchel, Tonantzin,
y Nuestra Señora de Guadalupe
hold hands and smile above it all,
with tears in their eyes,
above the blood and sacrifice
above the obsidian and the honey and the music,
above the ornate churches
built for one god
built on top of temples
built for many gods-
the descending god, the honeybee god,
the wind god,
a space for everything
to be loved.
We all need a sanctuary
when darkness falls,
because it always will,
and you will pray that
building your refuge
won’t hurt anyone else’s,
and that your retreat
will be respected,
as we all look for the light
that comes from nowhere,
the light that holds it all,
shining into emptiness,
lighting up the caverns
of our sacred hearts-
entangled and shining,
together,
in the house of the spirits
through which blows
a warm gentle wind
who will carry it all away.
The heart is a safe place
to live,
remember that
when you have forgotten.
That is the only miracle
you must always remember.

Inspired by breathtaking Tulum, Yacobá, Valladolid, Ek’Balam, Cobá, and other magical places of Quintana Roo & Yucatán, Mexico.

A Hunter’s Heart

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The happening waits for no one, just fly

 

A hunter’s heart, a stone, then water
here for a feathered breath
then gone
with the mourning doves’ call
through the window at dawn.
Yellow roses land in the bathroom sink,
sweet sailors on the wind-
the ones who bleed milk white,
whose green stems snap
and turn to dust,
sphinx-eaten beauty
and how we stay soft
even after death,
the preservation of the gentle thought
that everything had its rightful place at the table,
long after we’d said goodnight-
safe under glass,
pressed between pages,
a cricket’s funeral and the ocean at your front door,
how you shocked me with how solid you felt
as if you became real under my fingers
as we walked the notes between planets,
each step an octave higher,
until the sounds became a frantic symphony
of wild horses tangled in our hair,
with hooves that bruised our willing limbs-
the discovery and the betrayal
of the delicate ones
who could kill
if they needed to,
sent out to sea in their tiny boats,
rowing through the spines of ancient books
rising from the water,
records of all songs and sorrows,
sweat, screams, tongues, & touch,
enmeshment,
and her voice’s echo down the hall,
reaching past all the birds and blood,
disintegration
and flowers on every surface,
a heart that beats for those lost beneath the waves,
hands up, sinking,
breathing in new ways now-
how lungs sprout roots,
architects of every pathway home
from eyes that never opened-
relentless adaptation
and the illusion of order,
still as real as skin on skin
and our names in your mouth,
behind curtains that keep no secrets
except the ones between them and the wind,
whispering:

Climb down now child, build the the ladder as you go. The Tower always falls
 before you are ready, 
and fallen feathers 
scatter, singing 
to the stars–
The happening waits for no one,
 just fly.

Nurture The Spark: The Living Poem

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One way poems are born….the living poem: The day I wrote this, I woke up feeling compelled to write down the images that were flying around my mind, in that strange space between dreaming and waking, the landscape of symbols and sensations barely touched by words (but still, they ache to be written, or I ache to capture them inside in my little glass bottle heart, take ink and turn them into something, scribbling in my journal like a madwoman, so I can watch little wings flap, and see a tiny fragment of another world…always trying to capture the ethereal, preserve impermanence – those silly but urgent desires to convey essence that is beyond logical expression.) As the day unfolded I quietly noticed that a lot of what I had written earlier was manifesting on a little faerie walk I was taking with my friend & her daughter. We saw a beautiful snake move like water into the space between rocks…the temple of the serpent…and then a moon carved by the elements onto the face of a stone….a spider in her web  between tree roots that held rocks like something precious… bees like tiny faeries in their yucca and sage flower sanctuaries, flying too close to my face….I had written these elements down hours before, and there it all was, being born in front of me. Of course the poem, once it starts to be written, takes on a life of its own, relating the inner world through observation of the outer world…but it’s the sweetest & strangest feeling to move through the day as if I am dreaming my life into being, connecting into the vitality of the present moment & relishing the interplay of the subconscious undercurrents and the conscious experience. I am always inspired by the magic created by openness, and the willingness to notice.

 

Medicine

I took only one step over the threshold
into my honeycomb caves
before I wanted to turn back,
to slink away quietly
beneath moonstone ceilings
close enough to touch,
bees on my lips,
whispering that all it will take is
three breaths past the web weavers’ doors
and seven stars beyond the sea urchins’ spines,
the path to all the places I protect
without knowing-
that this is an entry point,
a spiral path
into the temple of the snake,
meeting of the essential self
learning to move like water
where no space is too small to pass through,
where from the stone sprouts a shoot of green,
faith- raw, naive,
and every flower who opens here
calls my name-
urgent voices
riding cobweb carriages
and howling to the night,
laughing about how we can’t feel ourselves bleed
but we know it by the salt-kissed sting,
porcelain white colored by crimson blooms,
comets made of ironstone hearts
breaking across the sky,
the way cuts harden to heal-
the wisdom of skin,
merging and falling
as we walk the circle
to the center.

Through layers of lust,
blinding-
the salve and his sword,
the rose and her thorn
their urge to attach,
and then one stronger:
detach,
re-arrange,
pray to the present,
to the breath,
the silence,
the arrival
at each gate,
where only one thing is asked:
remove your jewels
and make your descent,
strip yourself of each coveted garment
and rise,
naked and trembling,
not with fear
but with lightness:
ritual incineration,
electric bodies melting
into a vein of pyrite,
fool’s gold mine by the river.
We are untouched by greed
and kissed by the one
who leaves specks of ruby
on our tongues-
unmetamorphosed desire,
unpolished still.

I watch for all the things you don’t say.
I am a bricklayer who befriends earthquakes,
building her home amidst
the crashing
with the red-breasted bird
who eats the butterfly,
grabbing her from the spider’s trap,
savior. saint. sinner
devouring
in silence.
Another transformation
in this theory of mirrors,
the reflection and the shattering,
energy provoking energy
and deliberate movement
across the ice bridge-
its frozen song melting
into the soft opening
between danger and beauty.
Channeling Ms. Lonelyheart’s fire,
this little sacrificial love lamb
chooses to carry herself into the flames.
This time, this time I will get it right,
burning my own fortress to the ground,
the foundation becoming my altar
where I dance in prayer,
destroying every flag we have ever waved
in the name of anything false and fickle,
all that has stood for anything
but love and liberation.

Inspired by the enchanting Matilija Canyon in Southern California, a gem of my beloved home.

You Are The Little Seed

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where it is not enough to simply trust, but to surrender so fully you become

 

 

You are the little seed
who only bursts
in fire or flood,
harbinger of wonder,
something from the other world,
who sits in darkness waiting,
inside a burial chamber
or a birth canal,
aching body soothed
by a constellation’s kiss
across winter’s cheek,
where early morning
owl songs
bridge
here
and there.

You are the patron saint
of moth-eaten love letters
read in blue light,
the earth fallen innocence
of wing pierced skin
and whistling winds who say:
The beginning can be hard,
because nothing stays the same,
but don’t stop now.

You are the tiny star
who only dreams
of the explosion,
breaking open ceremoniously
into the light of nothingness,
where it is not enough
to simply trust,
but to surrender so fully
you become,
proclaiming your presence
in the landslide
of shedding skin,
carving a path of courage
through fragments of mirror
dropped from the sky,
shattered by the sounds of angels,
reflecting your unfamiliar face
on the ocean floor.

You are the sweet one
with razor teeth
who gnashes on truth,
leaving to find beauty
in an alien landscape,
returning to the calling
that you will listen to now,
because you have to,
collecting every tangled thread
beneath your loom,
like seaweed on the shore
of a place that feels like home,
though you have only ever lived
out at sea,
beaten smooth by tides
who speak in concentric circles
of memory, visions
and voices
lost to wolves and moonbeams.

Then, a spindle-pricked finger
and a drop of blood,
watering your white dress
in a garden of roses set alight,
petals singed and singing:
Keep going little one.
Don’t fall asleep again.
See through the eyes
of the ancients
how they learned to live
all those years,
alive in the tenderness of being,
how being born
was the first radical act,
and how letting go is the next.

They breathe through you,
and you can see them
in the lines around your eyes
when you laugh secrets,
or when you open
your mouth to cry.
Clocks tick inside trees,
dying in parched soil,
beneath which lies life,
dormant,
ready to sprout something loud,
unknown.

Your resilience is resounding.
Remember.

The clockmaker
and the starweaver
sit together
at the sacred hearth,
comforted by a strange stillness
that turns the golden key,
opening,
awakening,
breaking some spell,
and the thousand year rain
begins.
Grow.
Now.

Inspired by the magical land of Joshua Tree, California